a great track from joe & ubit (aka hugo), remixed by two of the founders of the label (phooka & maurizio cascella) and great guest artist, hubble. the original track is a pure concentrate of techno and filtered tools. voices, percussion and bleeps all mixed with a relentless and powerful bassline. phooka rmx is a swell of synth and bass, which offers a glimpse into the psyche of the listener, a drive of techno beats & a powerful dancefloor-orientated track. hubble gives us a masterpiece, a mental and dark version, in line with his other works and his unique and personal style! maurizio cascella closes the rmx and transform the original track with a heavy groove and loops the song, making it a unique and potent dj tool, a must-have for all djs.

the black dog are a legendary live act whose ability to destroy venues and wreck soundsystems is undeniable. they blur the boundaries between djing and performance while possessing an excellent sense of where to take the crowd. live, they represent purist techno, which is also utterly crowd pleasing. on record, tbd are famous for delivering subtlety, emotion, and intellectual richness, as well as great tunes, but never in their career have they managed to convey the sheer visceral impact of their performances as on liber dogma. this album contrasts with last years extremely well-received ambient outings on music for real airports and the dadavistic orkestra collaboration with members of the psychick warriors of gaia. while none of the bands artistry and care has been lost, there is now a greater focus on a pure, and utterly exhilarating, vision of how techno can transform the dancefloor into a realm of complete pleasure.

after a series of classically oriented 12 inches with deep debts owed to old school detroit and chicago vibes, remain & mlle caros release stands out as a thoroughly modern model of analog dancefloor ammunition. while >heat< and >rogue< dispense with homage and go for the jugular with darkside intensity, the remixes hand chosen by remain and caro open things up, revealing undiscovered dimensions to the music. holmar filipsson from thugfucker (life & death records) teams up with neurotic drum bands ulysses to transform >heat< into a mid-tempo disco chugger heavy on the drums and boogie bass. populette unleash a late night dancefloor bomb complete with hypnotic arpeggios for their corking refix of >rogue<.

the acronym lfo is normally used for >light fuel oil<, but what robert stolt presents with his new release is truly nutritious fuel for the dancefloor. >beyond lfo< developed a groove like chiseled, massive, overwhelming, heated up and extremely intense. a track that could easily run more and more and leaves you breathless and speechless as soon as the last bass drum is faded away. two remixes come from the feather of the well-known pig & dan guys. a steppin and ever-shifting rhythm is the foundation on which a swinging guitar melody unfolds their poignant effect and transform force into playful clarity. a suitable outdoor summer hit. in their second version, the melodic superstructure is purified rigorously, the residual remain compacted and the driving rhythmic moment dressed in a hypnotic dub garb. the clearly breaks infected track >monster< is inspired by the aesthetics of american b-movie monster movies from the 50s. varying, cinematic sound cascades and these wonderful bleeps over all have a direct path into the heads own sound cinema.

for the first album ever being released on ki we invited biodub, a producer/dj from the north of germany, who impressed us with his fusion of dub, techno, electronica and is a musician throughout. bringing in his experience as the drummer of instrumental band noetics and based on a minimalistic foundation, his tracks are playful in a microscopically way. in between deep bass lines and characteristic dub chords, various sounds coming from field recording sessions and sometimes also acoustic instruments, making this piece of music extremely warm and alive. biodub tries to transform visual impressions into his music. he finds most of these impressions in nature but sometimes also in machines or buildings in connection with their environment. the album is equally comfortable on the dance floor as in the living room. but you would rather enjoy his music on an open field in the nature than on your couch. the album will be released as a full 2 x12 inch lp, and cd in folded hardcover with photography, graphic and layout coming from ki s amélie kai and since it leaves so much space for interpretation, there will be a 12 inch-single with remixes of stereociti and koi.

limited 5 track ep pressed on white vinyl.
karlmarx are brothers isaac aesili (aka karl) and mark mcneill (aka marx) from new zeeland. the >mists< ep is the first taster from their forthcoming fulllenght >the karlmarx project<. it is music from the drk side of the mon, fusing electronica, techno, synthpop, industrial, future soul and instrumental hip hop into something new and exciting.
karlmarx have enjoyed early support by benji b (bbc 1xtra) and lefto (brownswood). the song >mists< will also be featured on the forthcoming brownswood comp >lefto & simbad present worldwide family vol.1<

desolat are proud to present davide squillace. the rain might be slow to depart in northern europe, but this spring release from prolific dj, producer and a stand-up friend of the desolat family davide squillace should help to transform any lingering clouds into smoke-like cirrus swirls. time to warm up for summer! >what about the vice< is an urgent, bouncy, hissing number to take the dancer deep. / repress (black vinyl)

encapsulating carolas approach to techno in both sound and title, groove catcher is the naples producer at his best, with a rolling bassline punctuated by a percussion pattern that teases out the funk of the track in carolas trademark style: pacey and direct, but with enough bounce and fluidity to fully snare the occupants of the dancefloor within its grip and make them do its bidding. fellow album cut, the method, which appears on the vinyl format only, is similarly insistent whilst lighter in tone - if groove catcher is best employed at the peak of a club set, then the method is its daytime terrace equivalent. leading the ep will be the rework of groove catcher by martin buttrich, with the german producer lending the considerable talents that have led to releases on poker flat and cocoon recordings - as well as his recruitment behind the mixing desk for timo maas and loco dice - to a pair of remixes that transform the original into a different beast entirely. remix a mutates groove catcher into something monstrous and intimidating, bringing a different intensity to the track and injecting it with a heightened sense of danger.

is it balearic follow up the monumental >panorama suite< from max essa with an allstar remixed package from portugals acclaimed s.d.c peaceful warrior is a laid back house groove in the style of don carlos >mediterranea/alone< this has winter sunshine dripping all over mellow flutes and synths and a jazzy funky guitar lick before dropping a little acid - beautifully constructed nu-med house. on the remix basles up and coming nu-disco upstarts pharoah black magic transform this into a eurodisco style dancefloor bomb along the lines of aeroplane and tensnake. soft rocks ft lovefingers jesus convention remix create of krautesque acid balearic chugger of immense proportions -very special. finally las finest alchemists pacific horizons weave their magic and produce an epic version with new bass and piano whilst accentuating the acid line. atmosphere galore and an all round top package!!

holmby hills two smooth n ruff house tracks and two hip hop-jazz encores turn this record into a testimony for the state of mind of formresonance. when soul is melted together into an off the grid house track, it is not that far-fetched that both men have shared their music ever since tapes existed. engin oeztuerk, one half of here today, which came out on philpot and buzzin fly and block barley (who already has released two albums on hong kong records and we aint music) are both tinkering in search of music to dance to. they wickedly transform their musical masters ideas into something extraordinary sounding. an off-the-grid team

comedy of menace part 2 is the second vinyl single from the critically acclaimed artist album >comedy of menace< by terence fixmer. hypnotizing and mental in many ways, >comedy of menace part 2< reflects the character of his full length, and shows once more the versatility in terence fixmers productions. reworks by artists such as niederflur and brendon moeller pay tribute in an equally varied way. the vinyl includes the dubby and light original of >phantoms<, and the sensitive rework by niederflur on the a side, who transform the original into a more driven and dancefloor appealing techno track, without loosing the originals tender essence. the b side presents the hypnotic original >breathless< and brendon moellers remix of >things are over<. applying his very own dub techno fingerprint and creating a timeless soulful groove monster, its shifting the your reality from head to toe.

first on decks.de !!!a fancy franco-german remix session full of thriving techno pleasure. oui oui!
a1: rejdowak (from karaoke to stardom remix) well known french fellow from karaoke to stardom digs in the depth of electronic mystery by designing complex rhythmic sound patterns carried by, well… a pretty dominant bassline! what else do we need?
a2: rejdowak (freak de philipe vs parasit remix) light-hearted pounding techno attitude with a humorous slightly ironic touch, this implements a wise smile on the faces of true electronic music enthusiasts.
b: fm melodie in e-moll (kettenkarussell notbremsen remix) kettenkarussell from weimar manage the impossible: completely transforming >melodie in e-moll< by neal white while at the same time keeping much of its spirit. they create an elegant and gentle groove which smoothly seem to transform into a hip-hop beat. well, thats not the end of the story! experimental and extraordinary.

mr. ho delivers exactly what we want: soulful house music, jacking and funky with kicks directly aiming at our lazy bums! pol_on, known from releases for get physical, connaisseur, mothership and freerange, transform the track into an irresistible builder, made to push all clouds of autumn away to let the sun shine straight into our faces.

salz is back!! very special handmade cover which is stricly limited to 200 copies!! the cologne duo salz, has written history with their unigue interpretation of dub techno for over 13 years. their work has been highlighted through numerous 12s on their own now deceased label salz. they have remixed alexander robotnik, philippe cam, thomas dolby and recently minilogue, piemont, thomas bjerring, deepchild, riley reinhold etc. what makes salz remixes so special is their opproach to deconstruct and transform the original through tape delays and spring reverbs into something genuine new. no artificial flavorings being added. on this limited 10 inch you can witness for the first time on vinyl one of their best up to date remixes! timeless music for connaisseurs. music for the gay moments in life

desolat are proud to present davide squillace. the rain might be slow to depart in northern europe, but this spring release from prolific dj, producer and a stand-up friend of the desolat family davide squillace should help to transform any lingering clouds into smoke-like cirrus swirls. time to warm up for summer! >what about the vice< is an urgent, bouncy, hissing number to take the dancer deep.

transformed in dub. the dub album to transform i with unheard deep and dusty mixes from the dubkasm studio.

played by loco dice, juju & jordash, k-soul, anton zap ... ferrispark records continues to release quality underground music that moves emotions, dance-floors, and brain waves. the 12 inch release of scott fergusons >evolution of a revolutionay ep< is raw, soulful, dance music for the deepest dancers and freethinkingminds…
a1: revolution – main mix (7:51)
mix dirty heavy beats, a somber sax solo, deep chords, and malcom x and you have a deadly combination for dance-floors and the authorities. >theres freedom for everybody or freedom for nobody!<
b1: revolution - dub (4:49)
this mix leaves only the dance-floor elements, play it for your deepest crowds…
b2: evolution of a revolutionary (4:32)
in this deep house burner, intermingled loops and voices evolve and transform into a story of revolution.

after the first une release (monoblock/treplec) supported by many djs like mathias kaden, chris carrier, troy pierce, laurent garnier, seth troxler, franco cinelli we are coming again with une002 by zap - >mi amigo< + inxec remix.
zap immerses us squarely in its parallel dimension, a place where stuck-up sounds and elegant percussions coexist with a martian sub bass. curious scene to expose a slightly conventional instrument in a dancing floor, the bandoneon, which chopped with a sharp knife and served with mastery, manages to transform the track into a dizzy trip and full of surrealism.
inxec achieves to transmit the feeling of no gravity based on orbiting elements, volatile basses and open field sounds. as it goes it leads us through a space trip, capable of opening a gap in any type of session, which suddenly can turn into a space odissey with dyes of psychological thriller.
support: konrad black, richie hawtin, josh wink, cesare vs disorder, adam beyer, matt star, jens zimmermann, dan drastic, alex kid, brothers vibes, pheek, alland byallo, pablo roman (bar 25), sebastian wilck (watergate), marcus (weekend), kane roth, luciano esse, jeremy p. cauldfield...

>gobbldigook< is the spectacular opener of sigur ros recent album >med sud i eyrum vid spilum endalaust<, undeniably one of the most hymnic songs they have written thus far. fellow islanders stephen stephenson aka presidentbongo (of gus gus fame) and jack schidt couldnt resist but to transform the complex, polyrhythmic original into an exceptionally ethereal club track. when the angelic voice of jon birgisson unfolds on a club soundsystem it reallyfeels like you are in heaven. the ultraslim percussion groove takes over the tribalistic atmosphere of the original but catapults it some hundered light years forward into the future. thomas fehlmanns remix on the flipside is nothing short but sensational. we have no clue how he managed to turn this song into a schaffel but we salute him and take this as another unmistakable sign that the schaffelfieber is rising again in cologne, berlin, reykjavik andelsewhere ...

after hitting his stride in 2008 with his debut for mobilee one is not enough followed by his second release, sand on the floor, the one-man phenomenon is back for a third round for mobilees 55th release entitled first talk, an enthralling tech-house release that is as boundless as it is stunning. the a-side first talk is a bouncing techy track that constantly moves forward and progresses without sounding the least bit rushed, continuously teasing the listener with build-ups that stop just short of peaking. combining vintage synths and reverb-laced loops, and.id meticulously plays with dynamics and atmospherics with the end result being a release that constantly moves forward without sounding the least bit rushed. b1 ephoria maintains a similar level of compelling restraint, with stuttered house beats and melodic undercurrents that morph and shift until they transform into arpeggiated swells leading the track to its endpoint. on b2 lights on and.id displays his darker, more minimal side, taking advantage of lower frequency ranges and recurrent echoes

supported by: anja schneider, julietta, brothers vibe, matthias tanzmann, anthony collins, chris wood, gebr?der teichmann, kabale und liebe, federico molinari, nekes, ray okpara, johnny d., sascha dive, ekkohaus, varoslav... reggie hammond was born in borrego spings in 1982. but already at a very young age he decided to leave the californian deserts and moved to london to focus on electronic music. the rolling techno-tool track for the 3rd diaphan release was created during a jam-session and ? as you can easily hear ? it is followed by some very crazy vocals spoken and sang by the >pleasemachine<, who transform it into a song that drives you directly to the dancefloor. with >ungodly< he presents a slow and very deep dub-track proving his frankness for other styles. the release will be completed by george p s pleasemachine-rmx and shows the track from an absolute different point of view. as a bonus you can also find an instrumental version of >pleasemachine< on the next powerful diaphan ep

finest deep and dubby stuff!!

supported by brothers vibe, jamie jones (crosstown rebels), karotte (cocoon / great stuff)... wagon repairs first release past the 50 benchmark offers a look at long time partner hrdvsions latest works of chopped melody and effervescent invention. opener æthe mohana explores a central chord progression with intermittent squeaked melodic static, reverberant pad echoes and crisp swinging percussion. a pragmatic animal, dueling hook lines dance, transform and compete for attention between pounded kick and hat in one of hrdvsions most floor ready tracks to date.

luke hess creates deep detroit techno with a focus on soul and experimentation over prevalence and trends. his album, >light in the dark< on echocord further explores deep detroit dance music through field recordings, live percussion sessions, analog experimentation, and dark cavernous melodies

twenty nine, originally being released three years ago, now coming in an updated 2009 mix by mr. broom. extreme significant signals and hideous voice samples embedded in a stunning hypnotic groove will transform every clubs peak time into a roller coaster of euphoria

sven weisemann comes with something quite removed from his usual oeuvre for the likes of styrax, mojuba or liebe*detail etc with a luxurious 7 inch, flexing his esoteric jazz and cinematic production skills for the newly minted essays imprint. theres no dancefloor ambitions here as weisemann allows himself some time to explore opulently textured downbeats and dubby ambience on two gorgeously crafted tracks for late night/early morning play. >rootless< is a delicious 5 minutes of melancholy detroit emotions with stunningly spacious sound design, while >garden of fantasy< on the flip sways with a slowhouse rhythm and brilliantly intangible synth pads that will transform the atmosphere of any space its played in. completely lush and utterly seductive, plus it plays backwards! limited copies - hurry.

rubiks kids transform new wave hits of the 80s into a catchy current soundwave. passenger has never been this danceable and laid back before christian sprenger (hr/wdr einslive). officialy approved by emi, exclusively available on vinyl. rubiks kids are a project of regine, singer of the band scut, and dj/producer der energieberater. after several remixes for bands from the frankfurt area, der enrgieberater decided to travel through time, back to his youth and return with danceable tracks. if you like to chill with nouvelle vague, you will hit the dancefloor with rubiks kids.

chin chill is a newborn international label uniting top notch producers across the globe. with the very first release the label begins to explore tribal territories in a unique and creative style. the a-side e-damba by m.in & spedro is definitely here to stay. wisely used pure african vocals and sophisticated arrangement - the future face of the techno is already here. on the b1 andrey zots (afu ltd, globox), raising moscow producer, lays his hands on e-damba. started as a minimal house tune, constantly evolving, no one expected this remix to transform into >zulus< tribal party. basti grub well-known for his hoehenregler activities rounds off this ep with the remix in his trademark laid back manner

shake into the groove with... 00sex everywhere in the world... here it is the groove slightly transform into these great deep vinyl tunes! respected by steve bug, gene ferris ...

here we offer two exclusive remixes preceding the djinji brown album release. sweat shop reworked by label mate and upcoming producer, boddhi satva brings africas tribal beats to the floor. swinging beats, electronic synths and pads saturate and transform into a hypnotic treatment. ancestral black gets blessed by mystery man afefe iku. taking djinjis creation to more dynamic and techno realms. with his signature stabs and heavy rhythms, this one demands you to move.

the chaps at off-key hq have been busy digging out the old dat tapes from their attic and sorting out the wheat from the chaff. for this release they go way back to bring you four more tracks courtesy of kimble, a collaboration between matt o brien and matt gates (aka minor planets). kicking things off is the beatless sketch of >lycius<, spiky alien synths flicker and pierce through detached ethereal pads moving in the surrounding weightless space. next up is the ep s lynchpin track, >state of shock<. proper techno is the order of the day here, this is an authentic old school minimal track first recorded in 1996 but left gathering dust ever since. immerse yourself in the subtle dub inflected melodies swirling in your womb bubble while the slamming rhythm track provides the heartbeat. over on the flip we chill things out with the haunting strings and aquatic bassline of >amb<, providing a delicate counterpoint to the upfront style of the a side. the ep is completed with a stunning remix of >state of shock< by minor planets, who layer on a towering bassline and transform the original into a laid back dub workout.

medias have stated recently that the number of millionaires is still rising every year... funny or scandalous? while others are sitting greedily on their fortune, one of them, kind of musically obsessed to say the least, keep to share his assets with the lucky few that will hold a part of his twelve inches serie in their hand. still getting another round of applause for the third offering that impressed quality djs from all circles (from milez benjiman to marc mac, passing by prins thomas to chateau flight), the selfmade millionaire is gaining more supporters release after release. this time, he is tributing the greatest boxer of all time and his legendary shuffle techniques in a funky boogie way with nearly 8 minutes of irresistible feelgood grooviness. many things have been said about this highly influential character, but few know that his boxing moves would have originated some freestylin’ breakdance figures. one more reason why the milionaire wanted to encourage you to do the ali...wait to flip the record to get another punch! even gave you diamonds is a restless groove that could transform an egyptian mummy into a marathon party goer with its numerous hooks, clavinet stabs and powerful catchy vocals. the tune seems to be about a guy whos really tired of his posh lady who cannot get enough of all her fancy gimmicks. would our milionaire gone autobiographical on this one? who knows...

the man behind chymera is brendan gregoriy. releasing music since 2005, the producer from dublin already has an impressive discography with releases on labels such as delsin or ovum. >ellipsis< and >eulogy< are sonic epics that never cease zu fascinate the listeners. they manage to be bold and sophisticated, powerful and elegant at the same time. they transform the dancefloor in an maelstrom with no way out, and yet they never give their electronic cool away, they always remain subtle and somewhat distant. the sounds form an imaginary landscape, they are a projection surface for one s desires

fabian gatti celebrate debut maxi with a deep detroit techno-emphasis and has the right melodies on his side. >windexpress developed with his warm chords, the melody transports and banging snares a hypnotic beam power, and since we are sure, every techno floor in a sea of euphoria soulfull transform.

the original track is a deep grooving houser with soulful vocals and some funky guitars. on the a side distant soundz and lee neilson transform the track into a slamming electro flavoured peaktime bomb.

excellent soulful piece of house music by japanese producer m swift with a little help of vanessa haynes on vocals. flip for 2 amazing mixes from belgiums spirit catcher, who transform the track into a whole new level with their unique spaced out deep disco sound

the irrepressible cobblestone jazz present the first single from their debut album >23 seconds<, forthcoming in september on wagon repair. cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. >lime in da coco nut< is a potion brimming with transformation. cobblestone approach a simple key melody from every angle imaginable, with the harmonies, disharmonies, bubbling accents and rhythmic permutations exposing the otherworldly potential of the simplest of tunes. a sinister whispered vocal conducts affairs, seemingly flustered at its inability to contain the unruly elements in this wonderful experiment. on >saturday night< a deep synth line and ghostly vocoded moans progress through a jungle of percussion and falling echoed tones, steadily approaching a beat that enlivens like water on a desert journey, or rather, like vodka on a saturday night. the dizzy finale spins around your ears, a bit like the ceiling after a particularly heavy weekend adventure… be sure to be well rested before tackling this sensory safari

three is the magic number! as a matter of fact the third installment in the koop remix series brings you not only some more floor friendly reworks of everyone’s favourite transvestite jazzers but at least two sureshot bangers! on the a side we got the mighty drumlesson remix by christian prommer. the producer of fauna flash and voom:voom fame picks up the bonus beats of the album to transform them into a 7 minute tech jazz meets classic house workout that drags drum rhythm a kicking and screaming onto the dancefloor.the b side once again sees beanfields remix of i see a different you but this time sweet singer yukimi nagano gets left behind on the excursion to detroit. and yes, the much requested instrumental version sounds even better without the vocals! last but not least there is a nice version of lets elope by sirs also known as gucciman or daniel klein, co founder of flamingo discos. he pushes the right buttons to build a grooving deep house tune around the warm vocals of mikael sundin. so, lets elope today with koop

cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. dmt is a particularly good example of this, progressing with a confidence and purposefulness that borders on sensual mastery. samples and trace sounds are revealed into the mix, weaving a hypnotic and infectious reverie that calculatingly refrains from climax. a display of power that is anything but vulgar, cobblestone arent showing us all their cards just yet. magic

chriss ortega & thomas gold transform this funky houser into a peaktime big room monster includes wawa remix and guys rhythm mix not to be missed

radio is a true rocker with delicate melodies and solid beat programming, it reminds us of early dirt crew flavours and therefore it is the perfect addition to the label catalogue. catchy vocals and a nice flow troughout the whole track makes this single a special release out of london city, very similar to the sounds of people like mike monday and the playtime crew. the first remix is by the bassthedub heroes 2020 soundsystem. they transform the track in a great minimalistic stomper, fully loaded with tons of bass and a great live feel to it. following in the footsteps of their highly acclaimed latest album the 2020 crew made their typical bouncey bass edit of this track. the flip offers you another deep and spacey rework by dirt crew

compilation with well known classic tracks by age of change, transform and the future sound of london !!

his sound is best described as warm stripped down deep-techy-electro house and see is not any exception. an uber cool funky vocal together with sublime acid elements makes this track a bubbling piece of art. noirs alter ego black magik transform the original to a minimal affair with lots of twisting effects that builds and builds. its pure class 4 a.m. music. for both sides is miximum volume recommended!! noir recently had a huge hit on swing wyze with his all about house music. previous releases of ilija been supported by ewan pearson, david duriez, mazi and mike monday to name a couple..

on la manie oliver koletzki released originally the track mÜckenschwarm. after oliver koletzki left la manie because of his own career, michael sehte get into the project and brought his anarchistic character in the new tracks. and here they are, the new tracks. >drecksbeat< sounds like it s called. dirty, nasty, horrible. the consequential continuation of >mückenschwarm<. it will be transform the dancefloor into a pillow fight and jawing match at the same time. the b-side track >the cocka hola company< is affected by the homonymous wonderful book of michael forsakken. the gloomy matrix retrieves memories of old ebm-days. it is sallied by a an elegiac melody. its for the dj who will not shrink from kitsch. see you at the floor. the weasel-quick children from downtown are back!

the original track has an infectious almost commercial vocal sound with a definite felix edge. the two remixes bear down hard and transform the track into an edgey sound kind of in a goldfrapp/ fischerspooner vein, especially the alanis version

hardstyle edm compi !

*cd version with exclusive track!* after three stand out eps over the last three years for l.i.e.s. tzusing delivers his debut lp for the label. here we get seven tracks of precison crafted electronics, unmistakenly taking the artists signature industrial fueled sound and opening it up to a new dimension far beyond the typical metal beat clang. ltd edition pressing. . emotional, dark and powerful, the album title taken literally means -invincible east- based on a character (a swordsman) in a jin yong novel who must make the ultimate sacrifice to attain knowledge and transform. the narrative goes in hand with the artists observations living and travelling throughout asia and provides a haunting soundtrack for a bleak future where few dare to subvert the power structures at hand.

semiomime is the more spherical alter ego of dj hidden/the outside agency. 6 years after his previous album Òfrom memoryÓ and his Òsix stepsÓ ep . it was time to return to mindtrick records with a new album. Òclose onesÓ is an absolute musical milestone for semiomime showing his more sensitive side.
all songs have been written over an extended course of time. they needed to grow and transform to become impressions of memories and the emotions attached to them. he wanted to capture their essence, translate the way they are stored in his head. by doing this, this album became a very personal album.
it will make you think of some of those things that can make life special... remind you of your close ones.